| Detail of above two page spread. |
Friday, January 28, 2011
Wednesday, January 26, 2011
Sculpture and Boris Artzybasheff #2
All artwork is by Boris Artzybasheff is from the book "Gay-neck the Story of a Pigeon" by Dhan Gopal Mukerji.
| The grim reaper |
| A lot of war is going on in this little square:air battles, a tank, bombs, barbed wire front lines and ruined trees. |
More in the next post.
Labels:
Artist Spotlight
Monday, January 24, 2011
Sculpture and Boris Artzybasheff
| All artwork by Boris Artzybasheff |
The title caught my eye, "Gay-Neck, the Story of a Pigeon."
How could I resist?
I confess that I haven't read Dhan Gopal Mukerji 's book, but I have devoured the black and white illustrations by Boris Artzybasheff. The book won the Newberry Award for children's literature in 1928. Both men lead pretty amazing lives, Gopal Mukerji came from an upper class Indian family and the other fled the Russian Revolution.
The artwork in Gay-neck looks like paper-cuts and is a wild blend of 1920's Deco and Indian patterning.
More work by Boris Artzybasheff in the next post.
Labels:
Artist Spotlight
Saturday, January 22, 2011
Sculpture and the first paper based transistor
Sculptor Beatriz Cunha has posted on her blog news of the first paper based transistor.
Created by Portuguese scientists, the discovery opens the door for new disposable electronics devices, like paper displays, smart labels, smart packaging, bio-applications, RFID tags, among others.
Read the full story on Beatriz's site.
Created by Portuguese scientists, the discovery opens the door for new disposable electronics devices, like paper displays, smart labels, smart packaging, bio-applications, RFID tags, among others.
Read the full story on Beatriz's site.
Labels:
Artist Spotlight
Friday, January 21, 2011
Sculpture and Winter Light
The winter sunlight is low in the sky, often flattening objects to black silhouettes.
Those silhouettes cast long shadows that seem more vivid, more real than the objects themselves.
| Even the shadows of a bridge seem more substantial than the bridge itself |
Art is really about understanding how to use light and shadow to tell a story. Take a walk to see how the winter light changes familiar things........
Labels:
Light and Shadow
Wednesday, January 19, 2011
Sculpture and Duncan McRoberts.
Finally, a use for those saved scraps of rosewood!
| The metal spheres are standard pattern maker tools, the wooden ones are used in ceramics. I made the largest one with a knob and a dowel. |
| Here's a cast from the mold to show you how each detail of this work is shaped by a specific tool. |
| If you want to make work this tight, you never touch it directly. By only using selected tools you can maintain both exact measurements and uniformity of form and surface texture. |
Labels:
Working Artist
Sculpture and Duncan McRoberts
A home by the architect, Duncan McRoberts, is featured in the Dec/Jan issue of Oregon Home Magazine.
A few years ago, I worked with McRoberts on a very different residence. The project was a 4x 5 foot elaborate ceiling, sort of a decorated cake of ornament. The rest of the house gave new meaning to excess. Elaborate faux finishes, High French, low french, and lots of
What I enjoyed most about the work was that I had to develop new tools and techniques. For me this was technical sculpture, lots of measuring and using every trick I could devise to keep it as symmetrical and exact as possible.
More in the next post.
A few years ago, I worked with McRoberts on a very different residence. The project was a 4x 5 foot elaborate ceiling, sort of a decorated cake of ornament. The rest of the house gave new meaning to excess. Elaborate faux finishes, High French, low french, and lots of
What I enjoyed most about the work was that I had to develop new tools and techniques. For me this was technical sculpture, lots of measuring and using every trick I could devise to keep it as symmetrical and exact as possible.
| I enlarged McRoberts drawings to full scale. |
| Out of context I think this looks like some sort of 19th C medal. |
More in the next post.
Labels:
Architectural Sculpture
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