Sculpture and Matisse

It takes courage to bloom where you are planted.

"The artist must summon all his energy,


his sincerity, and the greatest modesty


in order to shatter the old cliches


that come so easily to hand while working,


which can suffocate the little flower that does not come,


ever,


the way one expects."


A wonderful quote by Henri Matisse, from the book, Wabi Sabi The Art Of Everyday Life by Diane Durston.

Sculpture and Color

Marble or Fimo?

It's an ugly fact of life for a sculptor. Color can overwhelm form.

After an early disastrous painting class, I thought my life would be so much simpler just oiling wood carvings and giving all bronze a classic patina..... Of course all my sculpture is colored now.

Alan at Surface Fragments has a post, The Origin Of Painted Ornament, that could just as easily be called Painted Sculpture.

Reborn in living color: Caligula goes from pale to pink-cheeked in a reconstruction that smashes monochromatic perceptions of ancient sculpture. (Washington Post Photo Illustration With Images From Ny Carlsberg Glyptotek (Left) And Stiftung Archaeologie)

Washington Post article Correcting a Colorblind View of the Treasures of Antiquity by Blake Gopnik.The Alexander Sarcophagus as it originally appeared.

 

The Alexander Sarcophagus as it originally appeared Marble or Fimo

Classical sculpture "Centuries of burial or neglect had bleached the marbles, and greened the bronzes, beyond their makers' recognition. But it was those altered colors that became the model for how the ancient world had looked, and for what all new sculpture ought to look like." source

Gurewitsch writes: "Though we seldom think about it, such fragments are overwhelmingly abstract, thus, quintessentially "modern." And for most of us, that's not a problem. We're modern too. We like our antiquities that way."

Sculpture and Romanesque Sculpture

These small Medieval ivory chess pieces from the Isle of Lewis are amazing sculpture.
Radically stylized, fiercely emotive, and at a safe remove of 900 years, they're pretty funny too.

There's a lot to learn from them, regardless of what kind of art you make.

On loan from the British Museum to the Met, the show is called “The Game of Kings: Medieval Ivory Chessmen From the Isle of Lewis,”    It's presented in the perfect setting of the Cloisters, the Metropolitan Museum of Art’s citadel for medieval art.

Romance, a lap dog, and a game of chess?

Carved from walrus ivory.

The Game of Kings exhibition is up until the 22 of April 2012. It includes other chess pieces — Islamic and medieval — and carved bone objects from the Met’s collection.

Sculpture and Alex Cherney

Photo by Alex Cherney from his Website

The work of Alex Cherney reminds me that time and space are not two unrelated things. In the big picture, they are one and the same. Movement through space requires time, and time is nothing if not movement.

Good things for sculptors to think about................................


Red Aurora Australis from Alex Cherney on Vimeo.


Alex Cherney says this about his video and photos: "After chasing it for more than two years I was finally rewarded with two displays of Aurora Australis (Southern lights) within a week visible from Mornington peninsula, not far from Melbourne. The nights were warm and clear, the Moon was not in the sky either - I could not have asked for better conditions.

The red color of this aurora is caused by the charged particles from the Sun exciting oxygen atoms high in the Earth's atmosphere. Hopefully there will be more to come as Sun's activity increases in 2012-13.

Being able to photograph it all night I came up with a nice video. The brighter Aurora happened on January 22nd and the smaller one, featured in the middle section, was from January 16th, followed by a rather bright Moonrise.

Sculpture and Drawing

Overwhelm is trying to solve too many problems at once. Where to begin?
Solution: Pick one aspect and work on just that.

This cornucopia approach uses spring flowers and fall harvest fruits and grain to symbolise the couple's birthdays.

In this drawing I am using Solomon's Seal, a plant in her garden, to frame her face.

I was invited by craftsman Mark Downing to collaborate on a project.

Mark is making an Art Nouveau style door in quarter sawn oak, and wanted me to paint a portrait of his lovely wife to grace the interior side of the door. Mark loves the work of Czeck artist Alphonse Mucha, so I'm designing the panel to be in his style. A good challenge as Mucha was a master draughtsman.

Sculpture and St Francis

For a heavy cast-stone relief, St Francis has made the rounds. 

photo by David Bales.

Miraculous appearences include back to back garden shows, first at the Yard Garden Patio Show and the Home and Garden Show. The patio garden, so empty without him, is complete with him back in residence.

(Miraculous because I don't need a chiropractor.) The very qualities that make the sculpture work in the garden- its mass and weight, make it a bear to move repeatedly.

Private visitations available upon request.......talk to the saint's manager, that grey haired guy.

Sculpture and Wreaths

Wreath by Patrick Gracewood

 Here are some wreaths I made of apple and red twig dogwood. The subtle colors of the apple prunings, murkey greens and umbers are very beautiful with wrapped and contrasted with each other.

Redtwig Dogwood.

This red one was a demonstration wreath. It was hard to teach and craft at the same time. While the process is simple, it does require concentration. Loose that and it shows in the work.

We had a surprise snowfall last night. Love the snow cap!

I've used several wreaths here to hide the support post of the sculpture base. These unbroken circles give weight to the base and help remind that everything is related and interlinked.