Sculpture and Manuel Isquierdo

Manuel Izquierdo (1925 -2009) has died. He was a long term Portland resident, a beloved teacher and trickster. Manuel helped found the Pacific Northwest Sculptors organization. Walking through his studio, or rather studios, full of the tools of a lifetime of work was a lesson in itself.

I have a fond memory of him hosting the PNWS, making an enormous dish of paella (?) Can't spell it, but it was delicious. Jerry Joslin asked him to explain the meaning of one of his abstract sculptures. It was like watching a fuse ignite. Manuel was not one to suffer a fool gladly. He spouted and sputtered. "It means what it means!" but he kept on cooking. We ate and drank our fill and laughed and talked all evening long.

D.K. Row writes about his long and productive life and the art he made and the people he influenced.
click here

Sculpture and Clean Up

Something that rarely gets factored into the beginning of any project is the clean up at the end.

I made up a couple of bouquets of residual wedding flowers and gave them away. Ran the mower over the rest of the greenery and put it on the compost. Took the time, after 4 days, to get that tiny rose thorn out of my thumb. Spent the rest of the day cleaning the studio and reorganizing the wood shed. Things changed from total chaos to calm and clear and ready to begin again.

So often I want to be done with a project but rarely do I savor the pleasure of clean up or rest in the space of complete. It takes a lot of work to get and stay empty, but what a lovely place.

Sculpture and Ephemeral Art

Time Based Art is the buzz art concept these days.

Arranging flowers is the ultimate time based art. Because of the nature of the medium, no pun intended, you cant prepare anything too far in advance. I created all the flower arrangements, corsages, hair ornaments, etc for a friend's wedding. So for Saturday's wedding, I could only begin Friday at noon.

Ready, Set, Go!

Doing flowers really is a combination of sculpture and painting. You deal with composing the different shapes of flowers, foliage and vase, and the painting of color against color against color. Too much of any one thing, it looks dumpy. Not enough repetition of shape or color and it looks chaotic.

You work as fast as you possibly can to get everything done. But it's all in the details. I wanted to use some barberry foliage for its party colors of pink, cream, green and maroon to make the other colors pop. That meant the tedious clipping with a fingernail clipper of every thorn of each leaf cluster. There's enough symbolism in a wedding without the bride pricking her finger on a thorn.

I did the big arrangements first, leaving the most fussy time consuming tasks for last (not counting barberry clipping), when you are fried. Hot glue guns are dangerous when you're tired. Bells of Ireland faint where a stem was bent. Wedding party arriving in 90 minutes! You're cursing like a sailor trying to do the last minute additions, gluing flowers on a tiny plastic barette for the flower girl. And I failed to factor in the time required for transport and installation. Yikes.

How could I have so miscalculated (again) all the work and time involved in a time based art?

Somehow magic kicks in. Plenty of miraculous time appears. No traffic. A parking space right in front of the door. The tables dressed out quickly, the arrangements surrounded by fatsia leaves, bright orange and green chinese lanterns, sunflowers and candles. The bride is exquisite. The groom powerful. Do the young know how beautiful they are?

The stage was set for a wonderful evening. It was worth every moment.

Another Stendhal Moment Plus Water Issues

This video is by Jon Rawlinson and features the Kuroshio Sea, the 2nd largest aquarium in the world. The music is "Please Don't Go" by Barcelona. Jon Rawlinson is a producer, cameraman and editor (another one man army?) based in Vancouver, Canada.

So many emotions and thoughts come up watching this video.

First the sheer dreamy beauty of watching these creatures move, then the scale of it kicks in seeing the silhouettes of people. Then I notice the sterility and density of the environment, with basically every fish swimming in the same direction, not much cover to hide out. How do they care for all these different species, what is meal time like? That leads me to wonder about all the science involved in caring for them. You can't take the smallest organism out of it's environment with it and you paying a steep price.

Rawlinson's choice of the melancholic "Please Don't Go" adds another layer as we watch a seldom seen view of the world drift by? One last view?

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If this environment raises folks awareness of the need to protect our oceans, its doing its job.

Sculpture and Lilies

Most folks who make art about flowers are concerned with color. Color is wonderful, but what sends me are the forms each flower takes, how a flower grows from stalk to stem to bud. Ending in Baroque spirals, these lilies are floral fireworks. Relief panel measures 17 x 44 x 2 inches.

Shadows and the Semi-Immaculate Conception

"For behold, I bring you tidings of great joy!"

My neighbors are starting their family, L told me she was pregnant. I cut one of the giant stalks of lilies for her and her girl friend to congratulate them on their "semi-immaculate" conception.

Standing on the driveway, I noticed how beautiful the shadow was, like an Annunciation angel. Life imitates art.

Inspiration for Sculpture

Heaven in a corner of the garden.

Sometimes summer is even more magical than I could imagine. Last year these Conca d'or lilies from B and D Lilies were amazing at four feet tall. One more year in the ground and they are 8 feet tall. (Next year 16 feet tall ????) Ten stalks with ten buds each = fragrance you can smell from half the yard away. Each flower is the softest lemon yellow fading to white. The whole colony is animated by the darker pollen anthers that sway like a kinetic sculpture in the slightest breeze.

Photos by John Osswald